Sometime last semester I saw the flyer for a talk by Charles Johnson. I had never heard of him, despite being quite famous as a prominent African-American writer (Middle Passage probably being his most famous work). However, two points caught my attention; 1) Winner of the MacArthur Fellowship, also known as the genius award 2) Practicing Buddhist (and later, practicing martial artist). WORD! Gotta see this.
I placed myself in the front row. Allow me two clichés if you will: There was a great sense of familiarity when I first saw him, almost like looking into an aged mirror that shows a possible future version of you. There was also, and I lived on this for a few days, a prolonged eye contact between us that bespoke a similar recognition on his part. Close clichés. Of course, I had to ask a question so that my presence couldn’t be missed and to give me something from which to launch a conversation from.
“Sir, how do you negotiate the connections between Oneness and Marxism?”
“Oneness and Marxism?”
“Absolutely!” Unwilling to say anymore, lest I narrow my question and make it answerable rather than discussable.
“Hmm…that would be an interesting interface….let’s talk after.”
More cliché. Inside, I’m jumping up and down, doing a jig, while shaking God’s hand for a moment as I elevate on the emotional spike. End cliché. I got his card and emailed him a few days later.
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